Solange Pessoa – Longilonge
November 15, 2019 – April 19, 2020
Solange Pessoa – Longilonge
Opening reception: Friday, November 15th, 6–9 pm
Live performance of Steve Reich’s Violin Phase by Jeanann Dara and Ben Russell, 7pm
Afterparty with DJ set from UJI at Lost Horse, 9pm
MARFA, TX – Ballroom Marfa will present the first solo museum exhibition in the United States of noted Brazilian artist Solange Pessoa in the fall of 2019. Pessoa has built a significant and internationally recognized body of work over three decades, which spans the mediums of painting, drawing, installation, sculpture, and video. The exhibition will include new work that responds to the cultural and natural landscape in West Texas, alongside important existing pieces made in Minas Gerais, Brazil, where the artist lives and works.
Pessoa’s expressive and telluric work draws inspiration from myriad sources: nature, the Baroque, dreams and the unconscious, Tropicalia, prehistoric cave paintings and carved tools, Land Art, traditional craft, ancestry, Surrealism, and poetry. These and many other references lie under the surface of a fully developed lifework wrought from sustained material investigation, intuitive curiosity, and an acute command of gesture and form.
Altogether five distinct bodies of work will converge for the show at Ballroom—displaying touch-points in the arc of the artist’s work and creating a connective tissue of imagery, ideas, and relationships between two distant places in North and South America.
For this exhibition, Pessoa will recreate a seminal installation originally staged in Brazil in 1994 that has not been seen since. In this immersive sculpture tiers of coffee bags are sewn together, suspended from the ceiling, and filled with fruit, flowers, seeds, bones, earth, and poems. Visitors are invited to rifle through this abundant hanging wall of materials, spilling, adding and co-creating with the sculpture itself. This phenomenological and sensual work engages viewers directly with the living land of West Texas—its colors, textures, decay and richness—while recalling the original work in Brazil from decades before, linking the two across time and space.
While Pessoa’s installations take on the flux and chaos of living materials, her monochromatic paintings and drawings elegantly distill the graphic essence of animals, insects, leaves, plants, and flowers. Often rendered with minerals, clay, or oils and dyes from native Brazilian plants, these compositions simultaneously invoke both ancient pictographs and Modernist painting. The artist will debut a new suite of paintings inspired by her research trip to Marfa, where she met local botanists and archeologists, explored the pictographs in Seminole Canyon and the Fossil Exhibit in Big Bend, and visited the Chinati Foundation and Judd Foundation for the first time.
Additionally, new ceramic pieces and existing soapstone carvings will populate the galleries. These natural materials, sourced in Brazil, are wrested from the landscape then shaped and carved to recall varied organic forms: vaginal voids, nipples, phalli, skulls, spirals, ancient fossils. The soapstone pieces will occupy the outdoor courtyard where they can be seen from all angles, their soft, hand-carved curves open to the sun and the rain. Bronze and feathered wall sculptures will adorn the hallway, simultaneously monumental and ephemeral, invoking the animal body–it’s death, life and decoration.
Pessoa’s practice is deeply rooted in land, human and natural history. In this focused exhibition, she gathers together references, materials and iconography from the environment of her homeland in Minas Gerais and Far West Texas, creating a conversation between shared forms and interwoven cosmogonies.
This exhibition is organized by Ballroom Marfa Director & Curator Laura Copelin.
Solange Pessoa (Ferros, 1961) lives and works in Belo Horizonte, Brazil. Her selected solo exhibitions include Solange Pessoa, Mendes Wood DM, New York (2018); Solange Pessoa, Blum & Poe, Los Angeles (2017); Solange Pessoa, Mendes Wood DM, São Paulo (2016); Metaflor-Metaflora, Museu Mineiro, Belo Horizonte (2013); Museu de Arte da Pampulha, Belo Horizonte (2008); Museu da Inconfidência, Ouro Preto (2000); Palácio das Artes, Belo Horizonte (1995); and Centro Cultural São Paulo, (1992).
Pessoa received a grant from the Pollock Krasner Foundation (1996/1997) and has participated in numerous group exhibitions in Brazil and abroad including Invenção de Origem, Estação Pinacoteca, São Paulo (2018); La Fin de Babylone – Mich Wunder, dass ich so Fröhlich bin, Koln Skulptur #9, Cologne (2017); New Shamans (2016), High Anxiety (2016), and No Man’s Land: Women Artists (2015), Rubell Family Collection, Miami, USA; Arte e Patrimônio,Paço Imperial, Rio de Janeiro (2014); Mostra do Redescobrimento, CAPS Musée d’Art Contemporain, Bordeaux, France (2001); and Heranças Contemporâneas (1999), Encontros e Tendências (1993), Museu de Arte Contemporânea de São Paulo.
On Friday, November 15, Ballroom will host an opening reception for the exhibition with a live performance of Violin Phase by Steve Reich, performed throughout the gallery by Jeanann Dara and Ben Russell. The reception will be followed by an electrifying dance party with UJI at Lost Horse Saloon. On Saturday, November 16 at 11am Ballroom will host a guided exhibition walkthrough with the artist and curator.
Longilonge is made possible by the generous support of Blum & Poe; The Brown Foundation, Inc.; City of Marfa; Fairfax Dorn & Marc Glimcher; Katherine Farley & Jerry Speyer; Kristina & Jeff Fort; Elan Gentry & Alexander S.C. Rower; Virginia Lebermann & Family; Lebermann Foundation; Melony & Adam Lewis; O. Anthony Maddalena & Anne Booth Dayton; Mendes Wood DM; National Endowment for the Arts; Texas Commission on the Arts; Jacques Louis Vidal Charitable Fund; Ballroom Marfa Board of Trustees; the Ballroom Marfa International Surf Club; and Ballroom Marfa members.
In-kind support provided by Bella Oaks, The Capri, International Woman’s Foundation, Marble Brewery, Mikelle & Matt Kruger, Kevin Flynn & Kathy McDaniel, Christy Miller, Tequila Casa Dragones, Tito’s Handmade Vodka, and 1851 Vineyards.
Special thanks to Magê Abàtayguara, Alex Bacon, Lalo Baeza, Taciana Birman, Abby Boyd, Nancy Brown, Buró—Buró, Tim & Maria Blum, Caio Carpinelli, Patrick Chavira, Vicente Celis, Jeanann Dara, Felipe Dmab, Michael Davis, Rowdy Dugan, Jonah Emerson-Bell, Matheus Ferreira, Bobby Flores, Maria Cuca Flores, Isadora Dubeux Ganem, Sarah Guarino, Zane Hayspell, Victor Hugo, Douglas Humble, Saqib Keval & Norma Listman, Pablo Lobato, Alex Marks, Marfa Recording Co., Jeff Matheis, Pedro Mendes, O Argilao, Rodrigo Pessoa, Tanya Petruney, Ana Pigosso, Jeff Poe, Michael & Shirley Powell, Francisco Rosas, Cristiano Renno, Ben Russell, Isabel Sierra, Allie Silver, Gory Smelley, Tyler Spurgin, UJI, UNA Art Logistics, Chanel Von Habsburg-Lothringen, Cristiana Yamamoto, Mac White, Matthew Wood, ZZK Records. And to our friends at Austin Art Services, The Big Bend Sentinel, The Chinati Foundation, Judd Foundation, Lannan Foundation, Lost Horse Saloon, Marfa Public Radio, and Moonlight Gemstones.