ARTnews’ Maximilíano Durón talks with Ballroom Marfa Executive Director and Curator Laura Copelin about her recent promotion and vision for the organization.

Copelin sees Ballroom Marfa, which is located in a converted dance hall from the 1920s, as a continuation of the daring artistic vision that Judd first had for the town. “My vision for Ballroom Marfa is very much a continuation of the spirit of its founding: to create new work that wouldn’t be possible anywhere else,” she said.

Copelin said she will continue to focus on commissioning new work that will “really expand the conversation to include disciplines that aren’t usually included in the contemporary-art conversation,” mainly focusing on the ecological and natural sciences and how they are part and parcel to the rich landscape of Marfa, as well as maintaining an on-going dialogue with the town’s community.

“I like to think about collaboration with the community, as opposed to engagement,” Copelin said. “We have such a rich ground to work with in Marfa, with this incredible creative and cultural heritage. We want to contribute to what’s happening and amplify what’s special about this place, and amplify new work by artists who deserve to have a platform to make art.”

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