© Photo by Alexei Tylevich
For our friends in London: On October 9th, Comic Future alum Walead Beshty’s new exhibition will open at the The Curve in the Barbican Centre. Entitled A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench, the show features over 12,000 cyanotype prints made by Beshty that will cover the wall of The Curve gallery from floor to ceiling.
More from the Barbican Center:
“The installation is presented in chronological order, allowing the work to be read as a visual timeline, shifting in appearance along with the artist’s physical and temporal location. A central platform specially designed by London-based David Kohn Architects and constructed using recycled materials from a previous Barbican exhibition, enables the visitor to view the installation from alternative perspectives…Walead Beshty’s artwork explores photography’s ability to capture contemporary social and political conditions, often making the viewer question the possibilities of photography and its relationship to the world we live in.”
In a related event: Beshty and writer/critic Brian Dillon will have an in-depth discussion of the artist’s practice on November 26 at the Barbican Center.