Vapegoat Rising, the micro-exhibition from Los Angeles-based artist collective Arturo Bandini, is only on view here in Marfa for a few more weeks, closing on May 29, 2016. Find updated images of the installation on Bandini’s website, and stay tuned for more information about their upcoming micro-exhibition, Dengue Fever, coming to the Ballroom Marfa courtyard on June 3 and on view until August 21. This upcoming program, also part of Ballroom’s ongoing After Effect exhibition, will include work from Kelly Akashi, Marten Elder, John Finneran, S. Gernsbacher, Drew Heitzler, Sarah Manuwal, Calvin Marcus, and Roni Shneior. Do Easy Art recently spoke with Michael Dopp and Isaac Resnikoff of Arturo Bandini about “the origin of their collaboration and their aspirations for the two-part exhibition” …
Was the desert landscape a big influence on your curatorial decisions?
We used the curatorial premise of the show inside the main gallery space as our organizing principle. Although we did enjoy the idea of imagining our friends works out there in the Texas landscape.
How do the two shows connect to each other? Is the second show a denouement or does it play a counterbalancing role?
Maybe it’s counterbalancing? Mostly we wanted to be able to have two shows. To ephasize that Arturo Bandini functions as a gallery, not a singular installation. It also allowed us to include the works of more people we like. We came up with two shows both reflecting different types of landscape. The first one, Vapegoat Rising, is rock and fog, so it’s a desert show of sorts, but a foggy dessert. The second show is jungle. Dengue Fever, is denser and more colorful. The work is less austere.
Keep reading at Do Easy Art, and find Fredrik Nilsen’s documentation of Vapegoat Rising in our After Effect photo archive.