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Silver Jews: Live at WFMU, with William Tyler

8 Sep 2014

silver jews, courtesy of aquarium drunkard

In honor of September 8, Aquarium Drunkard has posted an old Silver Jews song, from a session they did at WFMU back in 2008. It features our old friend William Tyler, who played for us last August:

On September 8, 2008, David Berman rolled his touring band into WFMU‘s New Jersey studio to record a live set for Benjamin Walker’s show. Berman — who by this point had played live less than a hundred times in his band’s twenty year career — sounds like his pre-Lookout Mountain, Lookout Sea self; the sense of confidence that rings through that record is suddenly notable for its absence here. But his crackerjack band, which includes experimental guitarist William Tyler, spitshine the lo-fi off that back catalogue, giving Starlite Walker standout “Trains Across the Sea” the trad-Nashville sheen it never knew it needed. Less than four months later, Silver Jews would be no more.

A doozy indeed. Listen here, or check out the whole session at the Free Music Archive.

Heath Breakdown: Grimes, a three time Pro Bowler, is the only established veteran in this unitIt is conceived and led by Tate Modern’s Assistant Curators, in dialogue with Tanya Barson, Curator. And, judging by Datoc exclusive focus on Mosby physical appearance at a Friday press conference, where she announced that she will press criminal charges against six Baltimore police officers in the death of Freddie Gray, being called smokeshow is meant to diminish the nation youngest urban top prosecutor as she takes a momentous stand against police brutality. That said, you certainly. Leading the trio is Atsuto Uchida who transferred to German side Schalke, while Yuto Nagatomo inked a deal with newly promoted Italian Serie A side Cesena. David Beaty, science manager at NASA’s Jet Propulsion Laboratory,

An Introduction to Jeff Mangum from WFMU

19 Mar 2013

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It’s understandable, given the reputation that Jeff Mangum has won based on a relatively small number of cryptic recordings, that commentary on his output runs toward the obsessive. From Slate declaring him to be “The Salinger of Indie Rock” in 2008, to Kim Cooper’s book-length discussion of the impact of Neutral Milk Hotel’s lauded 1998 album, In the Aeroplane Sea.

As we prepare for Mangum’s two (!) shows at The Crowley Theater on 31 March 2013, we would also like to suggest that you direct the internet-connected audio device of your choice to his run of broadcasts on Jersey City’s legendary freeform radio station, WFMU.

In 2002 Mangum took to the airwaves for nine fried shows collaging together snippets of in-studio dialogue from the Beach Boys, poetry by James Wright, field recordings of cheetahs, the sound of “ritual mouth organs” as well as music from Robert Wyatt, Ornette Coleman and John Fahey — and that’s just the first installment.

Mangum is a practiced field recordist and sound collage artist — his discography includes a collection of field recordings from a of Bulgarian festival in 2001 — and it shows in these ecstatic, transformative programs, all of which are currently available for streaming at WFMU.

And though he understandably declined to interrupt these whirling sonic kaleidoscopes by back-announcing his selections, the Mangum fan community has risen to the occasion: Annotations for all nine shows are available over at the Neutral Milk Hotel website, complete with links to more information for many of the esoteric sound bites heard across these hours of music.

It’s not so much a demonstration of what Mangum’s music sounds like, as an exploded guidebook to where it comes from. And an excellent way to GET PUMPED for Mangum’s two performances here in Marfa at the end of March. The early show is sold out, but there are still tickets available for the 10:30pm performance.

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The event emphasized the role of youth in the advancement and support of human rights in Georgia and worldwide.
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The result is that a subtle culture persists, and these sociological pressures may well have played a role in this tragedy.