Carolina Caycedo and David de Rozas
Opening reception: Saturday, August 8th, from 6–9pm
For Ballroom Marfa’s summer 2020 exhibition, The Blessings of the Mystery, artists Carolina Caycedo and David de Rozas are creating a new film and series of installations rooted in West Texas. The project crystallizes the artists’ extended research into the connections and tensions between the cultural, scientific, industrial, and socio-political forces of three key locations: the McDonald Observatory in Fort Davis, the Amistad Dam on the Rio Grande, and the Permian Basin oil fields.
The multidisciplinary exhibition will center around an eponymous single-channel cinematic journey across the region’s complex histories of colonization, migration, and ecological precarity. The video-installation combines observational and experimental documentary with oral histories, reenactments, archival research, and found footage. The film’s storylines grow out of the land where both indigenous and settler knowledge have been historically produced. The narrative is structured around a series of dichotomies that stem from these locations: the relationship of light and darkness, the land’s surface and the underworld, and the contrasts of flow and containment. The film will weave together vignettes across time, from the present day to 4,000 years into the past, inhabiting the environmental memory and consciousness of these storied places while highlighting their contemporary issues and interconnectedness.
The film’s concepts, characters, locations, and objects will be re-encountered in the galleries, where immersive visual fields, objects, photos and paintings will expand on these layered ideas. Via the installations, viewers will be able to physically experience the stories in multiple dimensions. These elements will feature original sculptures, drawings and photos alongside loans from collections such as the Texas Archeological Research Laboratory at the University of Texas and the McDonald Observatory.
The Blessings of the Mystery is an extension of Caycedo’s practice of creating art centered around dams, environmental issues, and indigenous rights and cosmologies. Her ongoing project, Be Dammed, investigates the effects that large dams have on natural and social landscapes in several American bio-regions. With their project at Ballroom, Caycedo and de Rozas investigate the damming of the Rio Grande with the Amistad Dam and the transformation of the Trans Pecos by way of industry, invention and private property.
The Blessings of the Mystery is organized by Ballroom Marfa’s curator at large, Laura Copelin.
Carolina Caycedo (1978) is a multidisciplinary artist known for her performances, video, artist’s books, sculptures and installations that examine environmental and social issues. She has held residencies at the DAAD in Berlin and The Huntington in San Marino; received funding from Creative Capital and Prince Claus Fund; participated in the Chicago Architecture, Sao Paulo, Venice, Berlin, and Whitney Biennials; 2020 solo shows include ICA Boston and MCA Chicago.
David de Rozas
David de Rozas (1979) is an Emmy-nominated and award-winning filmmaker who directed and produced GIVE, winning seven international awards including Best Short Documentary at FullFrame and Best Experimental at the Smithsonian African American Film Festival. The film was nationally broadcasted on P.O.V. He lectures at SFSU School of Cinema where he teaches Visual Style, Documentary, and Experimental Cinema.
Blessings Of The Mystery is organized by Laura Copelin, Curator-At-Large, with Gabriela Carballo, Curatorial Assistant, Ballroom Marfa.
Lead support is provided by the National Endowment for the Arts.
Major support is provided by the Philip and Muriel Berman Foundation and Kevin Sherman.
Generous support is provided by The City of Marfa and the Texas Commission on the Arts.
Exhibitions at Ballroom are supported by The Brown Foundation, Inc.; Fairfax Dorn & Marc Glimcher; Virginia Lebermann & Family; Lebermann Foundation; and the International Surf Club.